Fool’s Armor
Fool’s Armor presents the archetype of the medieval fool as modern resistance. The fool is a well known character in our iconographic lexicon, most often recognized as the court jester, or by its place in the tarot deck. Medieval characterizations of the fool posture them as an antagonist, a trickster, and, above all, an impious soul with no respect for god nor kings. They are a useful character in moralizing narratives, stories which teach us how we should live and what behaviors to avoid. For those of us living on the margins of authority and outside of heteronormative society, the fool becomes a relatable character — a stand-in for our own supposed immoralities, impieties, and even unorthodox fashion sense.
Incorporating the ancient artisan craft of chainmail, Zeller presents the fool as a knight in playful armor, and as an archetypal ancestor through which we establish a lineage of resilience and challenge to normative authority. Fool's Armor explores the relationships between identity and presentation, strength and softness, resistance and resilience.
The Banner of the Fool is a chainmail sculpture referencing medieval archetypes in a modern context. The knight, the wearer of armor, embodies strength and purity of resolve. This protector is contrasted with the fool (jester, trickster, and madman). In medieval illustrations, the fool is most frequently shown arguing — with monks, kings, god, and even the devil. This strength in standing up to authority, in being fearless to live on the margins, is where the fool is representative of the queer experience.
Chainmail, as an object, embodies the concept of strength in community — each ring cannot stand alone, but together form a strong weave. The sculpture integrates hardy metals with delicate silk ribbons, a dichotomy of materials highlighting the tension between outward presentation and inward identity. Objects in this series explore the armor we build up to protect ourselves and our community from an increasingly threatening world. The fool becomes, out of both necessity and love, a knight in playful armor.
hilt /hĭlt/ : handle, guard, grip, pommel, 2025
steel chainmail, digital collage, cold porcelain clay, silver leaf, found objects, glass
hilt features a steel chainmail tea towel, constructed with a modified Japanese 4-in-1 weave. Hung on an antique towel rack, the links form a modular design reminiscent of pixels, polka dots, or Ben-Day dots. Hand-sculpted acorn charms reference the oak tree pictured in the collage, created with vintage illustrations from the story of Robin Hood. The mythology of this character reflects many of the better attributes of the fool narrative—men living on the margins of society, circumventing traditional power structures, fighting the establishment from the shadows. There is a strong homoeroticism present in the illustrated tales of the Merry Men. Phallic daggers hanging just so from belts, hand-to-hand combat closely resembling a lover's embrace, "gayly feathered" characters welcomed into the band with open arms.
The tea towel is useless as armor, with holes too large to stop a small enough blade. Its spacing welcomes penetration rather than prevents it. Its function is to be touched, rough as its material is in the hand. hilt depicts this violent yet erotic touch.
Flag, 2025
anodized aluminum chainmail
Flag references the tradition of flagging within the queer community, a code used to signal sexual orientation as well as preferences. This crafted bandana sits folded on the wall, the chainmail weave draping as fluidly as fabric. Variations of bandanas and handkerchiefs have primarily been used for flagging by gay men, while sapphic flagging is dominated by the carabiner.